<optgroup id="48J3Rv2"><tt id="48J3Rv2"><p id="48J3Rv2"></p></tt></optgroup>

<thead id="48J3Rv2"></thead>
    <delect id="48J3Rv2"></delect>
    <object id="48J3Rv2"><rp id="48J3Rv2"></rp></object>
      <font id="48J3Rv2"></font>

      <thead id="48J3Rv2"></thead>

          mastnead1 MASTHEAD 48

          malaysia gambling account

          ANTENNAE

          THE JOURNAL OF NATURE

          IN VISUAL CULTURE

          SUNSET 47 masthead 5.5.19 copy Screenshot 2019-12-02 at 23.54.02

          Antennae: The Journal of Nature in Visual Culture

          WHITE GRADIENT 1 Facebook circle white small

          Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          Antennae: The Journal of Nature in Visual Culture

          This issue of Antennae and the next are part of a project informed by the exhibition Making Nature: How We See Animals curated by Honor Beddard at Wellcome Collection (London) in 2016-17. This first installment, Making Nature, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise the methodological approaches that have defined the philosophies of the discipline. Technologies of visibility like taxidermy, dioramas, macro-photography, and illustration are here juxtaposed to highlight the complicity of art and science in the production of fictional narratives about the world we live in. This outlook should however not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as an invitation to reach further deep into the discipline’s productive core and to devise new natural histories for the twenty-first century. It is in this context that the next installment, also co-edited

          2017-12-02 09.40.16

          DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

          LYNNTURNER

          RONBROGLIO KATHYHIGH JESSICAULLRICH

          HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

          MARIAVERSTAPPEN

          KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

          ANGELASINGER

           

           

          CAROL J ADAMS

          SUZANNE ANKER

          JONATHAN BIRTH

          DOROTHY CROSS

          CARSTON HOLLAR

          GARY HUME

          OLEG KULIG

          ROSEMARYTROCCO

          PAULINE OLIVERO

          PETER SINGER

          LOISWAINTERBER

          CARY WOLFE

           

           

           

          Abbas Akhavan |Giovanni Aloi

          Bergit Arends | Marc Beattie

          Honor Beddard | Emily Eastgate Brink  

          Aaron Delehanty | Mario A. Di Gregorio  

          Mark Dion | Maria P. Gindhart

          Isabella Kirkland | Maria Lux  | Lorraine Simms Regan Shrumm | Tamsen Young

          Doug Young

           

           

          AND MANY MORE

          ANTENNAE

          42 cover

          THE JOURNAL OF NATURE

          IN VISUAL CULTURE

          ISSUE 49 — AUTUMN 2019

          making nature

                  with Honor Beddard, titled Re-making Nature will more closely focus on the work of contemporary artists whose practice entails revealing the constructedness of nature as a concept to map and untangle important nevralgic and yet under scrutinized junctions in our coevolutional histories with the rest of the natural world.

           

           

          IN THIS ISSUE

          Dr. GIOVANNI ALOI

          Editor in Chief of AntennaeProject

          34 essays and interviews

          featuring key contemporary artists and scholars

          329 pages

          202 illustrations

          MARIA LUX

          p 164 p 214 p 188 p 224

          p 214

          p 69

          p 72

          quotation

          Is there still a place for non-scientists in the trajectory

          of science? What is lost if science is so specialized, or technologies so inaccessible, that average people feel alienated from its development, curiosity, and conclusions?

          quotation two 7 biography

          MICHAEL McCLURE: MEAT THYSELF

          by Stefan Benz

          1 making nature

           

          The Togo-Cameroon hunting pavilion at the 1931 International Colonial Exposition in Paris encouraged cynegetic tourism in Africa, largely through the inclusion of three large habitat dioramas. MORE >>

           

          Making Nature was an exhibition held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. It explored how humans have constructed the

          notion of nature over time, a question that has captivated philosophers, anthropologists, scientists, ethicists and artists for centuries. Curator Honor Beddard talks to us about this

          pioneering exhibition.  MORE >>

           

          Making Nature

          Giovanni Aloi interviews Honor Beddard

           

          Biogeography,

          Autobiography, and

          Wildlife Protection

          By Maria P. Gindhart

          8 diorama

           

          In this essay, Giovanni Aloi focuses on an axpect of Donna Haraway’s ‘Teddy Bear Patriarchy’ argument that was overlooked by the author: the important role played by decorum in the normativizing function of museum taxidermy.  MORE >>

           

          Dioramas: Realism

          and Decorum

          By Giovanni Aloi

           

          This essay examines the object history of the Feejee Mermaid, a taxidermy creature created from the top half of a mummifi ed orangutan

          and the lower body and tail of a salmon, which defi es the category between nature and art.. MORE >>

           

          The Feejee Mermaid:

          An Object’s History

          By Regan Shrumm

          9 feejee

           

          For over a hundred years, habitat dioramas have been the soul of natural history museums around the world. Firmly built into the architectural fabric of the institution and astutely combining sculptural, painterly, and theatrical idioms, dioramas have been regularly

          understood as truth.  MORE >>

           

          Six philosophies for a habitatdiorama artist

          Text and Images by Aaron Delehanty

          2 six

           

          The current planetary environmental

          emergency urges us to ask afresh: How can we simultaneously be part of a long history of nature, and yet be so late in realising what has happened? The recent development in ecological discourses make exhibition Mark Dion: Systema Metropolis from 2007 ever so

          relevant.  MORE >>

           

          Mark Dion:

          Systema Metropolis

          By Bergit Arends, Images by Mark Dion

           

          Louis Pasteur’s published study of the French silkworm pandemic (1865-1870) helped visualise the invisible world. This essay examines how Pasteur mobilised new media

          to categorise and visualise the vast cultural ecology that had shaped France’s silkworm disease.  MORE >>

           

          Ordering the Invisible

          Images by Emily Eastgate Brink

          10 ordering 3 mark dion

           

          In a time of climate-change denial and suspicion of scientifi c expertise, where science’s place in American culture is especially contested, Magnify considers the role of amateur  naturalists historically and today.  MORE >>

           

          Magnify

          text and Images by Maria Lux

           

          Doug Young is one of only a few artists skilled in the labor-intensive technique of reverse painting on glass. These paintings address present- day concerns about the precarious state of the environment by taking natural

          history museums and their display aesthetics as their subject.  MORE >>

           

          Providence Under Glass

          By Tamsen Young, Images by Doug Young

          11 magnify 4 providence

           

          Since January 2019 Marc Beattie has captured the captured, snapping a subject daily and amassing a cache currently of over a third of the Avian Class that have ever visited Norfolk,

          and then never departed their uncanny dioramic setting. MORE >>

           

          The Bird Gallery

          images by Marc Beattie

          12 hookes 5 bird

           

          Robert Hooke’s

          Macrographia

          Text and Images: British Library

           

          Dr Mario A. Di Gregorio explores Haeckel’s unique idea of “monism” which lies behind the mesmerising illustrations of his most famous

          work, Kunstformen Der Natur. MORE >>

           

          Ernst Haeckel and

          the Unity of Culture

          By Mario A. Di Gregorio

          13 ernst

           

          Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

          still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

           

          TAXA

          Text and Images Isabella Kirkland

          14 taxa 15 empire

           

          Simultaneously present and absent these shadowy animal traces connect with key environmental issues, such as habitat loss and the extinction of animal species. Lorraine Simms’s drawings are poetic meditations on change and loss - silent witnesses to the gradual disappearance of the wild. MORE >>

           

          EMPIRE of BONES

          Text by and Images Lorraine Simms

          p 188

          p 164

          p 224

          COVER 49 6 abbas

           

          Abbas Akhavan: Fatigues

          Giovanni Aloi Interviews Abbas Akhavan

          9a feejee

          p 125

           

          Isaella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE>>