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    mastnead1 MASTHEAD 48

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    ANTENNAE

    THE JOURNAL OF NATURE

    IN VISUAL CULTURE

    SUNSET 47 masthead 5.5.19 copy Screenshot 2019-12-02 at 23.54.02

    Antennae: The Journal of Nature in Visual Culture

    WHITE GRADIENT 1 Facebook circle white small

    Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    Antennae: The Journal of Nature in Visual Culture

    This issue of Antennae and the next are part of a project informed by the exhibition Making Nature: How We See Animals curated by Honor Beddard at Wellcome Collection (London) in 2016-17. This first installment, Making Nature, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise the methodological approaches that have defined the philosophies of the discipline. Technologies of visibility like taxidermy, dioramas, macro-photography, and illustration are here juxtaposed to highlight the complicity of art and science in the production of fictional narratives about the world we live in. This outlook should however not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as an invitation to reach further deep into the discipline’s productive core and to devise new natural histories for the twenty-first century. It is in this context that the next installment, also co-edited

    2017-12-02 09.40.16

    DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

    LYNNTURNER

    RONBROGLIO KATHYHIGH JESSICAULLRICH

    HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

    MARIAVERSTAPPEN

    KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

    ANGELASINGER

     

     

    CAROL J ADAMS

    SUZANNE ANKER

    JONATHAN BIRTH

    DOROTHY CROSS

    CARSTON HOLLAR

    GARY HUME

    OLEG KULIG

    ROSEMARYTROCCO

    PAULINE OLIVERO

    PETER SINGER

    LOISWAINTERBER

    CARY WOLFE

     

     

     

    Abbas Akhavan |Giovanni Aloi

    Bergit Arends | Marc Beattie

    Honor Beddard | Emily Eastgate Brink  

    Aaron Delehanty | Mario A. Di Gregorio  

    Mark Dion | Maria P. Gindhart

    Isabella Kirkland | Maria Lux  | Lorraine Simms Regan Shrumm | Tamsen Young

    Doug Young

     

     

    AND MANY MORE

    ANTENNAE

    42 cover

    THE JOURNAL OF NATURE

    IN VISUAL CULTURE

    ISSUE 49 — AUTUMN 2019

    making nature

            with Honor Beddard, titled Re-making Nature will more closely focus on the work of contemporary artists whose practice entails revealing the constructedness of nature as a concept to map and untangle important nevralgic and yet under scrutinized junctions in our coevolutional histories with the rest of the natural world.

     

     

    IN THIS ISSUE

    Dr. GIOVANNI ALOI

    Editor in Chief of AntennaeProject

    34 essays and interviews

    featuring key contemporary artists and scholars

    329 pages

    202 illustrations

    MARIA LUX

    p 164 p 214 p 188 p 224

    p 214

    p 69

    p 72

    quotation

    Is there still a place for non-scientists in the trajectory

    of science? What is lost if science is so specialized, or technologies so inaccessible, that average people feel alienated from its development, curiosity, and conclusions?

    quotation two 7 biography

    MICHAEL McCLURE: MEAT THYSELF

    by Stefan Benz

    1 making nature

     

    The Togo-Cameroon hunting pavilion at the 1931 International Colonial Exposition in Paris encouraged cynegetic tourism in Africa, largely through the inclusion of three large habitat dioramas. MORE >>

     

    Making Nature was an exhibition held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. It explored how humans have constructed the

    notion of nature over time, a question that has captivated philosophers, anthropologists, scientists, ethicists and artists for centuries. Curator Honor Beddard talks to us about this

    pioneering exhibition.  MORE >>

     

    Making Nature

    Giovanni Aloi interviews Honor Beddard

     

    Biogeography,

    Autobiography, and

    Wildlife Protection

    By Maria P. Gindhart

    8 diorama

     

    In this essay, Giovanni Aloi focuses on an axpect of Donna Haraway’s ‘Teddy Bear Patriarchy’ argument that was overlooked by the author: the important role played by decorum in the normativizing function of museum taxidermy.  MORE >>

     

    Dioramas: Realism

    and Decorum

    By Giovanni Aloi

     

    This essay examines the object history of the Feejee Mermaid, a taxidermy creature created from the top half of a mummifi ed orangutan

    and the lower body and tail of a salmon, which defi es the category between nature and art.. MORE >>

     

    The Feejee Mermaid:

    An Object’s History

    By Regan Shrumm

    9 feejee

     

    For over a hundred years, habitat dioramas have been the soul of natural history museums around the world. Firmly built into the architectural fabric of the institution and astutely combining sculptural, painterly, and theatrical idioms, dioramas have been regularly

    understood as truth.  MORE >>

     

    Six philosophies for a habitatdiorama artist

    Text and Images by Aaron Delehanty

    2 six

     

    The current planetary environmental

    emergency urges us to ask afresh: How can we simultaneously be part of a long history of nature, and yet be so late in realising what has happened? The recent development in ecological discourses make exhibition Mark Dion: Systema Metropolis from 2007 ever so

    relevant.  MORE >>

     

    Mark Dion:

    Systema Metropolis

    By Bergit Arends, Images by Mark Dion

     

    Louis Pasteur’s published study of the French silkworm pandemic (1865-1870) helped visualise the invisible world. This essay examines how Pasteur mobilised new media

    to categorise and visualise the vast cultural ecology that had shaped France’s silkworm disease.  MORE >>

     

    Ordering the Invisible

    Images by Emily Eastgate Brink

    10 ordering 3 mark dion

     

    In a time of climate-change denial and suspicion of scientifi c expertise, where science’s place in American culture is especially contested, Magnify considers the role of amateur  naturalists historically and today.  MORE >>

     

    Magnify

    text and Images by Maria Lux

     

    Doug Young is one of only a few artists skilled in the labor-intensive technique of reverse painting on glass. These paintings address present- day concerns about the precarious state of the environment by taking natural

    history museums and their display aesthetics as their subject.  MORE >>

     

    Providence Under Glass

    By Tamsen Young, Images by Doug Young

    11 magnify 4 providence

     

    Since January 2019 Marc Beattie has captured the captured, snapping a subject daily and amassing a cache currently of over a third of the Avian Class that have ever visited Norfolk,

    and then never departed their uncanny dioramic setting. MORE >>

     

    The Bird Gallery

    images by Marc Beattie

    12 hookes 5 bird

     

    Robert Hooke’s

    Macrographia

    Text and Images: British Library

     

    Dr Mario A. Di Gregorio explores Haeckel’s unique idea of “monism” which lies behind the mesmerising illustrations of his most famous

    work, Kunstformen Der Natur. MORE >>

     

    Ernst Haeckel and

    the Unity of Culture

    By Mario A. Di Gregorio

    13 ernst

     

    Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

    still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

     

    TAXA

    Text and Images Isabella Kirkland

    14 taxa 15 empire

     

    Simultaneously present and absent these shadowy animal traces connect with key environmental issues, such as habitat loss and the extinction of animal species. Lorraine Simms’s drawings are poetic meditations on change and loss - silent witnesses to the gradual disappearance of the wild. MORE >>

     

    EMPIRE of BONES

    Text by and Images Lorraine Simms

    p 188

    p 164

    p 224

    COVER 49 6 abbas

     

    Abbas Akhavan: Fatigues

    Giovanni Aloi Interviews Abbas Akhavan

    9a feejee

    p 125

     

    Isaella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE>>