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      mastnead1 MASTHEAD 48

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      ANTENNAE

      THE JOURNAL OF NATURE

      IN VISUAL CULTURE

      SUNSET 47 masthead 5.5.19 copy Screenshot 2019-12-02 at 23.54.02

      Antennae: The Journal of Nature in Visual Culture

      WHITE GRADIENT 1 Facebook circle white small

      Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      Antennae: The Journal of Nature in Visual Culture

      This issue of Antennae and the next are part of a project informed by the exhibition Making Nature: How We See Animals curated by Honor Beddard at Wellcome Collection (London) in 2016-17. This first installment, Making Nature, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise the methodological approaches that have defined the philosophies of the discipline. Technologies of visibility like taxidermy, dioramas, macro-photography, and illustration are here juxtaposed to highlight the complicity of art and science in the production of fictional narratives about the world we live in. This outlook should however not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as an invitation to reach further deep into the discipline’s productive core and to devise new natural histories for the twenty-first century. It is in this context that the next installment, also co-edited

      2017-12-02 09.40.16

      DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

      LYNNTURNER

      RONBROGLIO KATHYHIGH JESSICAULLRICH

      HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

      MARIAVERSTAPPEN

      KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

      ANGELASINGER

       

       

      CAROL J ADAMS

      SUZANNE ANKER

      JONATHAN BIRTH

      DOROTHY CROSS

      CARSTON HOLLAR

      GARY HUME

      OLEG KULIG

      ROSEMARYTROCCO

      PAULINE OLIVERO

      PETER SINGER

      LOISWAINTERBER

      CARY WOLFE

       

       

       

      Abbas Akhavan |Giovanni Aloi

      Bergit Arends | Marc Beattie

      Honor Beddard | Emily Eastgate Brink  

      Aaron Delehanty | Mario A. Di Gregorio  

      Mark Dion | Maria P. Gindhart

      Isabella Kirkland | Maria Lux  | Lorraine Simms Regan Shrumm | Tamsen Young

      Doug Young

       

       

      AND MANY MORE

      ANTENNAE

      42 cover

      THE JOURNAL OF NATURE

      IN VISUAL CULTURE

      ISSUE 49 — AUTUMN 2019

      making nature

              with Honor Beddard, titled Re-making Nature will more closely focus on the work of contemporary artists whose practice entails revealing the constructedness of nature as a concept to map and untangle important nevralgic and yet under scrutinized junctions in our coevolutional histories with the rest of the natural world.

       

       

      IN THIS ISSUE

      Dr. GIOVANNI ALOI

      Editor in Chief of AntennaeProject

      34 essays and interviews

      featuring key contemporary artists and scholars

      329 pages

      202 illustrations

      MARIA LUX

      p 164 p 214 p 188 p 224

      p 214

      p 69

      p 72

      quotation

      Is there still a place for non-scientists in the trajectory

      of science? What is lost if science is so specialized, or technologies so inaccessible, that average people feel alienated from its development, curiosity, and conclusions?

      quotation two 7 biography

      MICHAEL McCLURE: MEAT THYSELF

      by Stefan Benz

      1 making nature

       

      The Togo-Cameroon hunting pavilion at the 1931 International Colonial Exposition in Paris encouraged cynegetic tourism in Africa, largely through the inclusion of three large habitat dioramas. MORE >>

       

      Making Nature was an exhibition held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. It explored how humans have constructed the

      notion of nature over time, a question that has captivated philosophers, anthropologists, scientists, ethicists and artists for centuries. Curator Honor Beddard talks to us about this

      pioneering exhibition.  MORE >>

       

      Making Nature

      Giovanni Aloi interviews Honor Beddard

       

      Biogeography,

      Autobiography, and

      Wildlife Protection

      By Maria P. Gindhart

      8 diorama

       

      In this essay, Giovanni Aloi focuses on an axpect of Donna Haraway’s ‘Teddy Bear Patriarchy’ argument that was overlooked by the author: the important role played by decorum in the normativizing function of museum taxidermy.  MORE >>

       

      Dioramas: Realism

      and Decorum

      By Giovanni Aloi

       

      This essay examines the object history of the Feejee Mermaid, a taxidermy creature created from the top half of a mummifi ed orangutan

      and the lower body and tail of a salmon, which defi es the category between nature and art.. MORE >>

       

      The Feejee Mermaid:

      An Object’s History

      By Regan Shrumm

      9 feejee

       

      For over a hundred years, habitat dioramas have been the soul of natural history museums around the world. Firmly built into the architectural fabric of the institution and astutely combining sculptural, painterly, and theatrical idioms, dioramas have been regularly

      understood as truth.  MORE >>

       

      Six philosophies for a habitatdiorama artist

      Text and Images by Aaron Delehanty

      2 six

       

      The current planetary environmental

      emergency urges us to ask afresh: How can we simultaneously be part of a long history of nature, and yet be so late in realising what has happened? The recent development in ecological discourses make exhibition Mark Dion: Systema Metropolis from 2007 ever so

      relevant.  MORE >>

       

      Mark Dion:

      Systema Metropolis

      By Bergit Arends, Images by Mark Dion

       

      Louis Pasteur’s published study of the French silkworm pandemic (1865-1870) helped visualise the invisible world. This essay examines how Pasteur mobilised new media

      to categorise and visualise the vast cultural ecology that had shaped France’s silkworm disease.  MORE >>

       

      Ordering the Invisible

      Images by Emily Eastgate Brink

      10 ordering 3 mark dion

       

      In a time of climate-change denial and suspicion of scientifi c expertise, where science’s place in American culture is especially contested, Magnify considers the role of amateur  naturalists historically and today.  MORE >>

       

      Magnify

      text and Images by Maria Lux

       

      Doug Young is one of only a few artists skilled in the labor-intensive technique of reverse painting on glass. These paintings address present- day concerns about the precarious state of the environment by taking natural

      history museums and their display aesthetics as their subject.  MORE >>

       

      Providence Under Glass

      By Tamsen Young, Images by Doug Young

      11 magnify 4 providence

       

      Since January 2019 Marc Beattie has captured the captured, snapping a subject daily and amassing a cache currently of over a third of the Avian Class that have ever visited Norfolk,

      and then never departed their uncanny dioramic setting. MORE >>

       

      The Bird Gallery

      images by Marc Beattie

      12 hookes 5 bird

       

      Robert Hooke’s

      Macrographia

      Text and Images: British Library

       

      Dr Mario A. Di Gregorio explores Haeckel’s unique idea of “monism” which lies behind the mesmerising illustrations of his most famous

      work, Kunstformen Der Natur. MORE >>

       

      Ernst Haeckel and

      the Unity of Culture

      By Mario A. Di Gregorio

      13 ernst

       

      Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

      still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

       

      TAXA

      Text and Images Isabella Kirkland

      14 taxa 15 empire

       

      Simultaneously present and absent these shadowy animal traces connect with key environmental issues, such as habitat loss and the extinction of animal species. Lorraine Simms’s drawings are poetic meditations on change and loss - silent witnesses to the gradual disappearance of the wild. MORE >>

       

      EMPIRE of BONES

      Text by and Images Lorraine Simms

      p 188

      p 164

      p 224

      COVER 49 6 abbas

       

      Abbas Akhavan: Fatigues

      Giovanni Aloi Interviews Abbas Akhavan

      9a feejee

      p 125

       

      Isaella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE>>